A tour bus crashes in a savage snowstorm and lands Jack Reacher in the middle of a deadly confrontation. In nearby, Bolton, South Dakota, one brave woman is standing up for justice in a small town threatened by sinister forces. If she’s going to live long enough to testify, she’ll need help. Because a killer is coming to Bolton, a coldly proficient assassin who never misses.
Reacher’s original plan was to keep on moving. But the next 61 hours will change everything. The secrets are deadlier and his enemies are stronger than he could have guessed – but so is the woman he’ll risk his life to save.
Four people in a car, hoping to make Chicago by morning. One man driving, eyes on the road. Another man next to him, telling stories that don’t add up. A woman in the back, silent and worried. And next to her, a huge man with a broken nose, hitching a ride east to Virginia. An hour behind them, a man lies stabbed to death in an old pumping station. He was seen going in with two others, but he never came out. He has been executed, the knife work professional, the killers vanished. Within minutes, the police are notified. Within hours, the FBI descends, laying claim to the victim without ever saying who he was or why he was there. All Reacher wanted was a ride to Virginia. All he did was stick out his thumb. But he soon discovers he has hitched more than a ride. He has tied himself to a massive conspiracy that makes him a threat to both sides at once.
“A beautifully rendered tale of faith and redemption that makes us think, feel, and hope—and then doubt and then believe, as only Mitch Albom can make us do.”—Garth Stein, author of The Art of Racing in the Rain
One morning in the small town of Coldwater, Michigan, the phones start ringing. The voices say they are calling from heaven. Is it the greatest miracle ever? Or some cruel hoax? As news of these strange calls spreads, outsiders flock to Coldwater to be a part of it.
At the same time, a disgraced pilot named Sully Harding returns to Coldwater from prison to discover his hometown gripped by “miracle fever.” Even his young son carries a toy phone, hoping to hear from his mother in heaven.
As the calls increase, and proof of an afterlife begins to surface, the town—and the world—transforms. Only Sully, convinced there is nothing beyond this sad life, digs into the phenomenon, determined to disprove it for his child and his own broken heart.
Moving seamlessly between the invention of the telephone in 1876 and a world obsessed with the next level of communication, Mitch Albom takes readers on a breathtaking ride of frenzied hope.
“Beautiful and smart. Perhaps the most stirring and transcendent heaven story since Field of Dreams.” —Matthew Quick, author of The Good Luck of Right Now
Back from the New York Times bestselling Cold Hit, Detective Shane Scully goes up against the beautiful, blonde wife of powerful hip-hop mogul–who stands at the center of a ruthless conspiracy
Leaving L.A.’s Parker Center, Shane Scully and his wife, Alexa, agree to meet at home in one hour. Shane gets there; Alexa doesn’t.
This tale turns deadly, when in the middle of the night, he’s called to a crime scene on Mulholland Drive, where the victim, who appears to be a gang member has been handcuffed and executed, gangland style. What’s worse is that the victim’s body is in Alexa’s car. Her service revolver, which Shane discovers nearby, is probably the murder weapon. But Alexa is missing.
As Shane desperately tries to find his wife, his leads take him into the frightening world of gangsta rap music and into the center of a feud between two record companies, both heavily manned by Crips and Bloods. At the center of this war is one of the most lethal adversaries he’s ever encountered: Stacy Maluga, a trashy, beautiful Lady Macbeth-like white woman raised in Compton, married to a multi-millionaire rap mogul and known in the gangsta hip-hop world as the White Sister.
Shane is no stranger to big trouble, but he’s never had to face being a cop in jail with a hit out on him, while being smeared by urban activists as a “racist cop.” Much, much worse than all that is the potential death of his beloved wife, Alexa. In the White Sister, he may have met his match in a powerful and media-savvy enemy who will stop at nothing to forge her own criminal empire.
West Crosse is a genius at creating spaces uniquely fitting the people who will inhabit them. The catch: he works under a shroud of secrecy, charges his clients a fortune, and then sometimes, in the most skillful and horrifying ways, he kills them…
West has the best of reasons. He’s designing lives as well as homes, obliterating everything that is ugly, accidental, or ill-conceived. And with each meticulous murder he commits, he’s getting better–leaving behind carved bodies that make a bone chilling statement of their own…
Forensic psychiatrist Frank Clevenger is hunting an outrageous serial killer whose victims seem to have only wealth in common. With his own life in shambles and the murderer two steps ahead of him, Clevenger can’t know that the next killing ground will be the White House, where an innocent life just needs the perfect touch…
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